The major cities around Australia are relatively well served for
classical music. Each of the six capital cities has a permanent professional
orchestra. The
Australian Chamber Orchestra and several chamber music groups
provide subscription concerts in these cities and
Musica Viva provides a steady stream
of concerts featuring both international and local artists. Each state has
at least one major arts festival with classical music content. Opera Australia
provides major performances in Sydney and Melbourne and there are opera
seasons in the other major cities provided by local companies. In short, if
you live in (or are visiting) Sydney, Melbourne, Adelaide, Brisbane or Perth
there are plenty of opportunities to hear world class performances of
classical music. In Hobart, the innovative
Tasmanian Symphony Orchestra is
also world class, but because of Tasmania’s small population it receives
fewer touring artists.
You will find a comprehensive list of classical music performances in the
major cities by following the links below.
Regional and country centres are not so well served. In Europe cities the
size of Canberra, Geelong, Ballarat, Wollongong , Newcastle etc could be
expected to have their own full time professional orchestra and maybe a
professional opera company. In Australia priorities are different and cities
such as these often rely on occasional visits by artists from the capital
cities supplemented by concerts from local musicians.
For country towns, the small population and often huge distances involved
make them impractical for all but the most intrepid touring performers.
However some regions get their classical music performances all in one hit
at special festivals.
All of the capital cities possess a modern concert hall suitable for
orchestral music. These include
Sydney Opera House
Concert Hall,
Hamer
Hall in Melbourne,
QPAC
in Brisbane, the
Adelaide
Festival Theatre, the
Perth Concert Hall
and Federation Concert
Hall in Hobart. In addition most have a hall of the traditional 19th
century 'shoe box' design which can be great for romantic music.
Unfortunately, audience expectations of comfort and the economies of fitting
double the size of audience into a modern hall mean these older venues are
often ignored even when the music is eminently suited to them. To hear an
Elgar oratorio in the warm
acoustics of Sydney Town Hall or
Melbourne Town Hall
supported by a monstrous pipe organ is an entirely different experience from
listening from a plush seat in the drier acoustics in a modern hall.
Chamber music is often less well served. The economies of touring to
Australia often mean that visiting groups are often forced to use large
orchestral venues. The smaller halls associated with university music
departments are often used. These include
Verbrugghen Hall in
Sydney,
Melba Hall in
Melbourne and Elder Hall
in Adelaide. Sometimes the rehearsal hall of the major orchestra is used for
chamber concerts, particularly if the concert is to be broadcast or
recorded. These halls include
Iwaki Auditorium in Melbourne, Ferry Road Studio in Brisbane, and
Grainger Hall in
Adelaide. Churches are sometimes pressed into service for chamber music
recitals such Collins
Street Baptist Church and
St Michael's Church
in Melbourne. However, changing audience expectations sometimes resist
church pews (even when padded) and they know they are not going to get a
glass of champagne at interval in
Scots Church. There
are some splendid venues in the suburbs, but organisers often ignore these
because of access to public transport, or lack of a thriving restaurant, bar
and club culture that many now like as a supplement to their night out. They
can certainly find that close to the
City
Recital Hall in Angel Place Sydney. Finally we should mention that the
purpose built Elisabeth Murdoch Hall at the
Melbourne Recital Centre
is a world class chamber music
venue.
For opera, most capital cities have a modern theatre suitable for opera
even though the orchestra pit can be cramped in some. These include the
Sydney Opera House,
State Theatre in
Melbourne and the Adelaide
Festival Centre. There are a number of heritage theatres around the
country which once thrived on opera but many of them now find it more
lucrative to cater for the middle-brow with reruns of popular musicals.
Cathedrals and churches are often used for choral music although some do
have a problem with traffic noise. Some notable examples are
St Paul's Cathedral and
St Patrick's Cathedral in
Melbourne, St David's Cathedral
in Hobart, St George's Cathedral
in Perth and St John's Cathedral
in Brisbane.
Of course they are many other classical music performing venues
throughout Australia - some quirky, some with a rich heritage, some which
are the folly of a music loving eccentric and some with splendid acoustics
and bad toilets and vice versa. And of course, because newly acquired wealth
(be it from the Victorian goldfields of the 1850s to more recent cases) does
not always go hand in in hand with aesthetics, there are a few venues (which
we at White Hat are far too polite to mention) that are in hilarious bad
taste.
A fuller list of performing venues together with their locations and
contact details can be found by following the links to the
various cities listed above.
In the past, Australia has produced more than its fair share of great
performers. These include:
Some current performers gracing the world stage include:
-
William
Barton (didgeridoo)
-
Lisa
Gasteen (soprano)
-
Danielle
de Niese (soprano) is a Melbourne born and trained singer
who is currently living in the USA. She is currently contracted to Decca
records and with whom she will be making a number of recordings of
Baroque music.
-
Roger Woodward
(pianist)
Apart from the major orchestras, some notable current
Australian performing groups include the Australian Chamber Orchestra,
Brandenburg Orchestra (period instruments), Grainger Quartet and Australian
String Quartet. Tow young groups currently making an international impact
are the Tinalley Quartet and the Benaud Trio. (You can hear some background
on these two groups on the
White Hat Podcast of September 2007.)
Music Education in Australia
In Australia the individual states control the school
curriculum and it is fair that for the most part music is treated as an
'optional extra'. It is possible for a student to go through primary and
secondary school and emerge with their only direct educational contact
with music being some tuneless class singing of activity songs in primary
school.
The quality of music education in schools often comes down
to the individual schools and their staff. Some primary schools bring in a
specialist music teacher (often on a sessional basis) to take music sessions
across al classes. Others may have a teacher with music skills who
will be freed up for sessions with other classes.
Many secondary schools offer the option of students learning
an instrument. This is usually done by bringing in instrumental teachers
with the additional costs charged to the parents. Some schools maintain
excellent music programs with school orchestras, choirs and other ensembles.
Instrumental and other music subjects (sometimes externally taught) can
count as formal subjects counting towards year 11 and 12. But despite the
fine music education available to some, there are probably more students
emerging from Australian secondary schools who have studied the lyrics of a
pop song as part of their formal studies than have studied the underlying
structures of classical music.
Independent of the school system is the Australian Music
Examinations Board (A.M.E.B) which sets syllabus and examines instrumental
students across the country. The A.M.E.B. has been the mainstay and the
benchmark of most aspiring classical instrumentalists over a number of
generations. Many suburban instrumental teachers set out to guide their
charges through A.M.E.B. grades 1 to 7 and the high achievers can then do
their Associate diploma in Music Australia (known as the AMusA but in
Australia we abbreviate everything and AMusA has too many syllables so
it is usually referred to as the "AMus"). Etched indelibly in the mind of
tens of thousands of Australians is the fact that the 'E' in A.M.E.B. stands
not for 'education' but 'examination' and the sleepless night that preceded
it. The are several international accrediting bodies who send examiners to
Australia such as the Royal College of Organists.
For advanced study each capital city has at least one
conservatorium or university music department. The history of these
institutions is often quite colourful with no shortage of scandals. That's
what can happen when innocent young minds are exposed to the uninhibited
passions of classical music. Instrumental teachers at these conservatoriums
often include members of the local symphony orchestra. In cities where
several such institutions exist they often have their own specialties - e.g.
performance-based, producing music educators, musicology etc. Brief details
of the individual institutions is discussed under the
various cities listed above.
Classical Music on Radio and Television
in Australia
The Australian Broadcasting Corporation maintains an FM
radio station dedicated to classical music. This is ABC Classic FM and can
be heard throughout most of Australia. In addition there are several
community radio stations playing predominantly classical music including
2MBS in Sydney and 3MBS in Melbourne.
ABC television broadcasts some programs related to classical
music but rock and pop music get more emphasis in the ABC's classification
of 'the arts'. The Sunday Afternoon arts program will often contain some
classical music. SBS Television broadcast some fine music programs and often
feature quality productions of ballet or opera programs not often seen in
Australia. The Saturday afternoon arts program often contain classical music
segments. The commercial television stations usually only show classical
music if it is in the form of an arena spectacular featuring excerpts form
classical music, or if a programmer has mistaken Englebert Humperdink the
composer for the eponymous pop singer. One notable exception was been the (now discontinued)
Sunday program on Channel 9 which for a period of years has had a number of
quality features on classical music.
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