Sir Robert Helpmann
dancer, choreographer, actor, director
9th April 
	1909 - 28th September 1986 
	
	In the world of athletics, the general public tends to remember who was 
	best in the world at sprinting or high jump or javelin and forget the rest. 
	Those with a deeper appreciation are more likely to recognise competitors in 
	the pentathlon � those who are world class across a range of different 
	disciplines � as the really great athletes. In his chosen field of the arts, 
	Robert Helpmann proved himself to be world class not just as a ballet 
	dancer, but also as a stage actor, screen actor, choreographer , director 
	and festival organiser, and those with a deeper appreciation of the creative 
	process recognise this as the hallmark of a truly great artist.
	Few people 
	can claim to have danced the role of Hamlet for one of the world�s 
	major ballet companies and within a couple of years to have acted the role 
	Shakespeare�s Hamlet on stage. Even fewer could match the breadth of 
	talent that Helpmann displayed at the
	Sydney Opera House 
	in 1981 where in one theatre he gave a critically acclaimed acting 
	performance in Fleming's The Cobra, in another he directed the 
	Australian Opera production of Gounod's Romeo et Juliette while in a third theatre space his 
	re-choreographed version of The Display was danced. All of this was 
	to celebrate 60 years in the theatre for an artist who was showing no signs 
	of slowing down.
	
	Robert Helpman (he later added the extra �n� for his stage name) was born in 
	the rural South Australian centre of
	Mount Gambier. In early 
	20th century Australia this was the place where you might mix with the sons 
	and daughters of the wealthier graziers in the region who had been sent 
	there to boarding school; and you might have the opportunity to become 
	involved in amateur theatre, but it was not really the place to be exposed 
	to the world of classical ballet. However young Bobby showed talent and 
	determination in the area of dance and attended ballet classes in Adelaide, 
	even though the teacher had never had experience in teaching boys. His 
	father whilst on a business trip to Melbourne managed to persuade the 
	visiting ballerina Anna Pavlova to take him on and Bobby�s professional 
	career was under way.
	
	
	
	His dancing career was to lead him to London where he 
	was a principal dancer for Covent Garden from 1933 through to 1950. Compared 
	to the European boys who had usually commenced their concentrated training 
	at an early age, Helpmann�s later maturing dancing skills were still 
	developing as his body was passing its dancing prime. This still proved no 
	impediment to him creating numbers of memorable roles and being declared by 
	Margot Fonteyn as her favourite partner.
	Helpmann expanded his artistic career by acting on stage and film. The 
	Red Shoes became one of the most successful films of its era and 
	Helpmann starred in it as both actor/dancer and choreographer. Later film 
	roles were to include the role of the Child Catcher in Chitty Chitty Bang 
	Bang.
	 
	
	
		
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			The Red Shoes
			In this famous 1948 film based on the Hans Christian Andersen 
			fairy tale, Helpmann appears as an actor/dancer. He also 
			choreographed the lengthy opening scene. 
			Other performers include Anton Walbrook, Marius Goring, Moira 
			Shearer and L�onide Massine. 
			  
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			Chitty Chitty Bang Bang
			In this children's film, Helpmann has a brief but unforgettable 
			role as the Child Catcher. 
			Helpmann excelled in melodramatic roles, and this one has created 
			many a nightmare for children over the years. 
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			Cinderella
			In this splendid Royal Ballet production of Cinderella the 
			music is by Prokofiev 
			and the choreography by Frederick Ashton. 
			Ashton and Helpmann play the ugly sisters as a pair of panto 
			dames and provide an ideal foil to the romantic story line. 
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			Don Quixote
			This filmic version of the Australian Ballet's production of 
			Don Quixote features Rudolf Nureyev, Lucett Aldous and Robert 
			Helpmann at their best. 
			The DVD also features a discussion with Nureyev and Helpmann 
			about how the production was brought to this film version. 
			The music is by Minkus with additions by John Lanchbery. 
			  
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			Miracle In The Gorbals
			The ballet Miracle in the Gorbals with music by Arthur 
			Bliss. 
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